Random Restless

7/7/10

Pink & Green in Queens


Even though I know the real BP is still living fat as a Colombian drug lord, the vision of a broke-ass BP, above and left, living like a troll under the tracks coming out of Queens Plaza, makes me feel better.

And after experiencing NYC as Target Train Toy Town, the way the photo to the left suggests a circular Queens Plaza train set makes me feel better too.

Meanwhile on the other side of the LIRR tracks on Skillman, below, an unusual juxtaposition of vehicles on the left, and an Acela locomotive on the right.  (I had no idea the Acela ran on these tracks; is the locomotive being punished for going too slow?)

7/5/10

4th of July Toy Town NYC

Not a creature was stirring... well, maybe a mouse.

It was nice and empty out in Queens on the 4th of July.  Quiet, inviting spots under shade trees (below left); limp, tattered real flags (below right) that remind us why zero-maintenance bumper sticker flags were invented; and the LIRR commuter train tracks stretching into the overheated distance (above), so still and empty I could hear a worn part tick every so often, like an insect in rising desert heat.


Meanwhile, back in town, the Target Train (formerly the 6 Train, below) brought me back to reality and the real NYC -- once labeled Satan's Workshop, now become Santa's Toy Town -- where public space and infrastructure is sponsored by the highest bidder, those wonderful corporations that furnish what we share...

...with "street furniture" ad platforms that show us how to decorate our emptiness and keep ourselves occupied as the clock ticks down, as our supposedly sacred freedom seeps through our fingers because we can't decide how to spend it, because choosing one thing shuts out all the others.

We let con men sell us one self-serving Theme after another to fill the void, and it was only a matter of time before their sponsors became our sponsors.


And here we are, living in their Theme Park surrounded by ads for things that feed our insatiability and rob us of contentment, that lure and agitate us with pointless noise and movement, until we really believe freedom is the ability to update Facebook while lounging at the park, surrounded by thousands of shiny plastic reflections of ourselves doing the same thing.

Wasting our freedom on baubles, signing our world over to the highest bidder, so sold-out that -- like a small dog whose owner dresses it in a tiny sailor suit -- we don't even notice we've turned into clowns, into Barbie & Ken dolls riding toy trains, the playthings of sponsors whose only interest is keeping us hypnotized and nursing at their machines until they've sucked us dry.

They got rid of graffiti on trains so this could happen!

7/2/10

Up from Broadway


A few recent favorites seen from on or near Broadway.  Above and left, the golden dome of the New York Life Building on Madison Square, and some humble water tanks.

And below, something I walked by countless times without noticing, the patient caryatids holding up the roof of 15 West 28th Street.  The building went up in 1896 and used to house the Ubu Repertory Theater.

6/30/10

Gateway to Tourist Hell


Speaking of hell, summertime 8th Ave. above 42nd St. always seems like the gateway to tourist hell, with hot, humid exhaust blowing up 8th from the Port Authority Bus Terminal, a cluster of Soviet-scale package-tour hotels, and crowds of sweaty tourists lining up for tour buses or staggering out of nearby Times Square, blinded and wrung out from their journey to the Heart of Blandness and its scorching, Burger King-scented emptiness.

Greeting them here on 8th near 47th, left-to-right in the photo below right, and in the other photos: a tour company Statue of Liberty lost in a faded orange theater front (formerly Hollywood Twin Cinemas); a lonely porn holdout; a bar full of sharks in suits from nearby office towers; and on the right -- warping the photo below right, if not spacetime -- the Ismael Leyva designed winner of my Superfinger award.


The Leyva finger seeks to blend into the neighborhood at its base, above right, but still comes off like a plastic dominatrix.  And the rest of it, below, still looks like a place built by aliens to slice & dice humans, not house them.


[ Welcome to Hell ]
[ In Search of Superfinger ]

6/28/10

Welcome to Hell


I mean Welcome to Summer in NYC.  Above, the flag at Apex Tech on 19th St. at 6th Ave. signals defeat, brittle as a mummy.


Above left, on Delancey, the Bedbug Express Van heads for the Hamptons again.  Above right, phone lines are sacrificed to the sweaty buzzards that circle above Provost in Greenpoint.

Below, at the Court Square subway station in Long Island City, the crew puts out the battle-tested communications equipment, in case the high tech stuff wilts in the heat.


And below, on the West Side Highway in Chelsea, maybe the way Frank Gehry's building "meets" the sidewalk like a cheap windshield makes sense.  It seals out the heat along with the humans, and is consistent with what the building as a whole suggests: a plastic iceberg, proud to be likely the last iceberg on earth.



6/23/10

8th Ave Light


A sign eclipse plus a wall of reflected light, caught last week at 8th Ave. & 46th St.  That's the Paramount Hotel in the foreground.  Note the black iron fences along the balconies below right, to discourage the casual cat burglar.